Payment will be charged to iTunes Account at confirmation of purchase Information About our Universal Subscription: One subscription will give you access to Opus One for iOS devices (iPhone and iPad) and MacOS Our auto renewable Universal Subscription is available on a Yearly or Monthly basis. The new notes section will allow you to change font at any point in the note, Change font size up or down and Change font color. Repeating Rules with advanced customizationġ0. Sketch drawing canvas optimized for Apple PencilĦ. Images, PDF's, checklists, maps & audio notes.Ĥ. Weather Information including Current Weather, 10 Day Weather forecast with automatic city location.ģ. Cloud synchronization across other iOS Devices and MacOS.Ģ. New Widgets for Daily Tasks and events at a glance, Mission statement, Values & Principles.ġ. New Daily Notes section that allow you to change font, size and color for a specific text, phrase or paragraph.Ĩ. Task Alarms synced through out devices.Ħ. Master Task list with side Planner Views.ĥ. Daily Notes with Motivational Quotes and the ability to include text and maps.Ĥ. Daily Schedule and Event integration with Calendarģ. Daily Task lists with status, Categories, priority and notesĢ. Finally drag and drop to reorder, prioritize or reschedule tasks & events.ġ. Use our Master Task section to get everything off your mind, easily glance at your day or week on the Planner, move from the list to the schedule. What is opus one: daily planner app? An effective to do manager. Opus One: Daily Planner App Description & Overview Mapping our World: Terra Incognita to Australia (Canberra: National Library of Australia, 2013), pp. Barker-Benfield, Corpus of British Medieval Library Catalogues, 13, 3 vols (London: British Library, 2008), p. Scott, Tradition and Innovation in Later Medieval English Manuscripts (London: British Library, 2007), p. Carley, Corpus of British Medieval Library Catalogues, 7 (London: The British Library, 2000), H2.1272. Harvey, Mappa Mundi: The Hereford World Map (London: British Library, 1996), pl. Peter Barber, 'The Evesham World Map: A Late Medieval English View of God and the World', Imago Mundi, 47 (1995), pp. Nigel Morgan, Early Gothic Manuscripts, 2 vols, A Survey of Manuscripts Illuminated in the British Isles, 4 (London Harvey Miller, 1982-1988), II: 1250-1285, pp. Harley and Daviod Woodward, figs 18.25, 18.67. History of Cartography, 6 vols (Chicago: University of Chicago Press, 1987- ), I, Cartography in Prehistoric, Ancient, and Medieval Europe and the Mediterranean, ed. John Taylor, The Universal Chronicle of Ranulf Higden, (Oxford: Clarendon, 1966), pp. 1200-1500: Catalogue prepare par la Commission des Cartes Anciennes de l'Union Giographique Internationale (Amsterdam: N. Ker, 2nd edn, Royal Historical Society Guides and Handbooks, 3 (London: Royal Historical Society, 1964), p. Medieval Libraries of Great Britain: A List of Surviving Books, ed. John Taylor, 'The Development of The Polychronicon Continuation',Įnglish Historical Review, 76 (1961), 20-36 (p. Youssouff Kamal, Monumenta Cartographica Africae et Egyptae (Cairo, (1926-1951), vol. Its oval mappa mundi is thought to be the closest to Higden's original (see History of Cartography, 1987).Ĭatalogue of Manuscript Maps, Charts and Plans, and of the Topographical Drawings in the British Museum, 3 vols (London: British Museum, 1844-1861), I, pp. The present manuscript ends in 1342 and contains a continuation probably composed in St Albans (see Taylor 1961). His 'Polychronicon' is a universal history, based on earlier writers, but extended to his own time. 1364), was a monk of the Benedictine abbey of St. Presented to the British Museum by George II in 1757 as part of the Old Royal Library.įull digital coverage available for this manuscript: see Digitised Manuscripts at. 1277' (f.), included in the Upper Library at Westminster after 1542 included in the catalogue of 1666, Royal Appendix 71, f. The Old Royal Library (the English Royal Library): Westminster inventory number 'no. 1) and a copy of his epitaph (printed by Casley), 15th century (f. Wardeboys bachilaurei theologic et abbatis' (f. John Wardeboys, abbot of the Benedictine Abbey, Ramsey (1473 -1489): his ownership inscription, 'Liber Io. Partially erased colophon added in different hand: 'Hic finitur ceserensis opus domini(?) quod policronicon dicuntur (f. 134 (1 unfoliated parchment leaf and 2 unfoliated modern paper leaves at the beginning and at the end) Initials in blue with red pen-flourishing. 1 historiated initial of a king in gold and colours with a full bar border (f.
0 Comments
Leave a Reply. |